The Fujifilm GFX 100 II now offers an extended ISO range down to 80, enhancing dynamic range for photographers. This allows for more creativity with RAW photos and the ability to extract detail from both highlights and shadows.
Additionally, the camera performs well at high ISOs due to its backside illumination and dual-gain design. Noise is minimal at ISO 6400, and photos remain usable up to ISO 12800 with proper exposure.
The medium format sensor provides a shallow depth of field, especially when paired with a fast lens like the 80 mm f/1.7, resulting in stunning bokeh and subject separation.
For those who prefer using JPEGs straight out of the camera, the Fujifilm GFX 100 II delivers color-accurate images with optimal in-camera sharpening. This is perfect for quick previews or for those interested in Fujifilm’s film simulation modes. The camera introduces a new simulation mode called Reala Ace, which offers a punchy, saturated, and nostalgic look.
One drawback is that the GFX 100 II reduces bit depth from 16 to less than 14 bits when shooting 8fps bursts to manage throughput. This change in marketing strategy has caused some discontent among professional photographers.
Video
The Fujifilm GFX 100 II is also a strong performer in video capabilities. It offers various modes, including 8K, 6K, 4K/60p, and 1080p at 240fps, all in 12-bit ProRes or 10-bit H.265 formats. The camera features Fujifilm’s F-Log2 capture for enhanced dynamic range.
However, there are some limitations, such as a 1.53 times crop when capturing in 8K, affecting the sensor’s effective size and shallow depth of field. Rolling shutter is noticeable in 8K but less so in 4K resolutions.
Despite these challenges, video from the GFX100 II offers a unique quality, especially with Fujifilm’s prime lenses. The 8K video is exceptionally sharp when downscaled to 4K.
While video capabilities are impressive, the majority of users are likely to focus on photography.
Wrap-up
The Fujifilm GFX100 II, priced at $7,500, offers significant improvements over its predecessor in various aspects. Professional photographers have noted the evolution of autofocus and improved dynamic range compared to the previous model.
While the camera competes with the Hasselblad X2D 100C, which may have slightly better color science and image quality, the GFX100 II excels in speed, autofocus, and video capabilities. However, for optimal autofocus performance in challenging situations, full-frame cameras like Sony’s A1 or Nikon’s Z8 and Z9 may be preferable.
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