Filmmakers universally recognize the challenge of executing a long take, also known as “the oner.” It is considered a significant technical achievement in cinema, requiring creativity, coordination, and precision to avoid any mistakes that could ruin the shot.
Notable examples of impressive long takes include scenes from films like Martin Scorsese’s “GoodFellas,” Alfonso Cuarón’s “Children of Men,” and Alejandro González Iñárritu’s “Birdman.” Chinese filmmaker Bi Gan takes this art to the next level with his new sci-fi film “Resurrection,” featuring a remarkable 30-minute tracking shot that captures the essence of 20th-century China in a single take.
Bi Gan’s mastery of the long take is evident in his previous works like “Kaili Blues” and “Long Day’s Journey into Night.” In an interview, he discusses the impact of long takes on viewers, emphasizing the immersive experience and unique perspective it offers.
Bi Gan’s approach to filmmaking goes beyond technical prowess; it delves into philosophical and narrative considerations. His films challenge conventional storytelling methods and aim to create a holistic and immersive viewing experience.
“Resurrection” showcases Bi Gan’s dedication to pushing the boundaries of cinematic storytelling through long takes. The film’s intricate planning, meticulous rehearsals, and seamless execution result in a captivating visual journey that blurs the lines between reality and memory.
